There are presently about 14 biennials from around the world listed on the front page of e-Flux. It’s a format widely used to focus foot traffic and increase visibility. But that visibility, from an increasing number of biennials, decreases the likelihood that any biennial will act as draw - like consumers losing interest in a product that can be found in year round fire-sales.  What would the attendance have been if these same works were presented outside of the event format?